Stranglehold is John Woo’s first foray into videogames. Whether Woo was intimately involved in guiding Stranglehold or more of a watchful father, his influence can be felt in every frame. Midway has managed to capture the essence of a Woo film — in some ways more than Woo has over the past decade. You get everything a fan could ask for: excessive gunplay, heavily stylized cinematic moments, melodrama, slow-motion dives, dual-fisted pistols, and, of course, doves aplenty. Some have called Woo’s films a beautiful ballet of violence. Stranglehold is less ballet and more a mosh pit of bullets. Either way, lots of people die and little in the environment is left standing once the smoke clears.