Syberia 3 Review 2017-05-03 06:00:18
Once in a while, a renowned series from the past makes a welcome return after years in hiding. In their day, Syberia 1 and 2 were regarded as distinguished point-and-click adventure games that captured both mysticism and mystery, but 13 years later, most of that has been lost in Syberia 3. Although the threads that weave this series together return, its delivery is wholly underwhelming. Dialogue feels disconnected and the important moments lack impact, resulting in a story-centric game that rings hollow.
You play as series protagonist Kate Walker, an adventurous ex-lawyer from New York who ended up in Eastern Europe after helping one Hans Voralberg fulfill his dream: to ride the once-mythical mammoths on the island of Syberia. She leaves the island and is found by the Youkol tribe nearly frozen to death, and this is where Syberia 3 begins. Having been saved by the Youkol, Kate is compelled to help them overcome the roadblocks along their sacred migration across the Eurasian landmass. Many pieces of the previous game remain–the robotic Automatons built by the Voralberg family, Kate’s vehement departure from home, and the aforementioned Youkol, a spiritual indigenous Asian tribe.
Set in fictional locations across Russia and the Eurasian landmass, Syberia 3 illustrates a quaint port village named Valsembor that’s sprinkled with light snow. The charming town has a cozy tavern where the locals gather, and it feels like a place I’d want to spend a late afternoon. The game also takes you through the abandoned and rusted theme park in Baranour, where you can see remnants of a place that once fostered fun and imagination. It was tragically destroyed by nuclear fallout, and radiation still blocks off parts of the park, but once you get the power back on, a flicker of hope seeps through as your Youkol companions enjoy the salvaged rides for a brief moment.
As Kate, you complete objectives that consist of locating an item needed to solve a puzzle or speaking to someone who has information that’s needed to move on. Syberia 3 moves away from the point-and-click controls of the past, and you’re now in direct control of her. There aren’t any fail-states or action sequences that ratchet up tension; that’s fine, but the solutions to your goals are only mildly interesting obstacles that never really tap into or build upon your knowledge. Many of these moments rely on arbitrarily placed objects that either require a sharp eye or just blind luck to find. One genuinely clever puzzle forces you to finagle with the accelerometer of a broken-down roller coaster and figure out how to get the car to stop at a the entrance of a secret passageway. The necessary information can be derived from a paper clue nearby, but you need two metal poles to do the job. However, one is haphazardly placed under a bench within the expansive amusement park. So, even the better gameplay moments of the game are held back by curious design decisions.
Another scene requires you to find flares to fend off an attacker at sea, but the flares are placed under a bench in your ship that’s only visible if you enter the room from a specific angle. You may come across this item within minutes, or just as likely scramble for much longer. Regardless, player skill or cunning is not in the solution’s equation. Important items are sometimes indistinguishable in the environment, a problem compounded by the game’s semi-fixed camera angles and sluggish movement. Simple actions, such as changing direction and getting Kate into position, can be downright frustrating.
When you’re not pitted with obtuse puzzles, you’re speaking with other characters who can assist you along the journey. You’re given Telltale-style speech options to either alter Kate’s conversational tone or dig up more backstory, but these often result in a slightly altered scene afterward or further down the road. You also have the ability to hear her thoughts during heated conversations, but it’s simply meaningless exposition that tries to justify any of the presented options. There’s always only one specific solution to objectives, devoid of any player agency.